Review: Kidnapping Mr. Heineken
Kidnapping Mr. Heineken is remarkable in its consistency to generate little to no interest or intrigue. I can't recall a film in recent...
Review: Focus
Will Smith has proven himself a master of many genres, powering the actioners and comedies that have served as his main bread and butter...
Review: Little Accidents
Every movie comes with a set of contrivances. Depending on the skill of execution, these can come off as rote and formulaic. There is a...
Review: Faults
It would not be entirely unreasonable, based on the opening debrief of writer-director Riley Stearns' debut feature Faults, to expect a...
Review: Exodus: Gods and Kings
Criticisms of casting Caucasians to play characters of Middle Eastern and North African descent aside, Exodus: Gods and Kings is bloated...
Review: Black Sea
Ex-Navy captain Robinson (Jude Law) is bitter and disgruntled, forced on the dole by the ocean salvage corporation for whom he's...
Review: Trash
A children's adventure story that is equal parts fairy tale and slice of life social realism, Trash is directed by Stephen Daldry whose...
Review: Night at the Museum: Secret of the Tomb
For those coming in blind to the Night at the Museum franchise, Secret of the Tomb must be an ambivalent viewing experience. This third...
Review: My Mistress
A heavily flawed tale of teenage sexual awakening in suburban Queensland, the Australian My Mistress is nonetheless good in some of its...
Review: The Loft
A stylish whodunit scaffolded with the requisite misdirects and multi-betrayals, The Loft is the second remake of director Erik Van...
