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Review: The Lion King
Every film is an exercise in manipulation, its success primarily dependent on how deftly emotional strings are pulled and how one makes...
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Review: Fast & Furious Presents: Hobbs & Shaw
Fast & Furious Presents: Hobbs & Shaw, an offshoot of the mega-successful franchise, is a big, shiny and expensive toy. It's the kind of...
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Review: The Red Sea Diving Resort
The key to Chris Evans' appeal, apart from his obvious good looks and physique, is a cocksure yet calmly commanding composure that no one...
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Review: Anna
Female empowerment and female objectification have always gone hand in hand in Luc Besson's films. This has always been a strangely...
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Review: Ma
Ma, as its title may suggest, is not about a maternal figure. She may seem that way since she's played by Octavia Spencer, who is a...
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Review: Point Blank
Based on the 2010 French action thriller, À bout portant, Point Blank (in no way to be confused with the 1967 John Boorman classic) is a...
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Review: Lying and Stealing
Cary Grant and Grace Kelly in To Catch a Thief. Grant and Audrey Hepburn in Charade. Hepburn and Peter O'Toole in How to Steal a Million....
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Review: Yesterday
What if you woke up one day and you were the only one who knew that The Beatles ever existed? What would life be like? How would the past...
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Review: Teen Spirit
Style and likability can often go a long way, which is why it's relatively easy to give Teen Spirit, actor Max Minghella's directorial...
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Review: Ophelia
"You may think you know my story," the titular character notes at the start of Ophelia, a reshaping of Shakespeare's classic Hamlet in...