Review: A Date for Mad Mary
Released from a six-month stint in prison in time for her best friend's upcoming wedding, Mary (Seána Kerslake) is heard compiling all...
Review: I Don't Feel at Home in This World Anymore
Winner of the Grand Jury Prize at this year's Sundance Film Festival and further evidence of Netflix's emergence as an industry power...
Review: Fist Fight
"Something's funnier than it should be," Charlie Day's Andy Campbell observes in the early stages of Fist Fight, a rambunctious comedy...
Review: After Love (L'économie du couple)
An unflinching, psychologically acute dissection of a relationship post-rupture, After Love (L'economie du couple) stars Bérénice Bejo...
Review: Man Down
A compelling tale about PTSD that is severely bungled by writer-director Dito Montiel's overcomplicated narrative, Man Down is partially...
Review: Two Lovers and a Bear
Two Lovers and a Bear, the latest from writer-director Kim Nguyen, features exactly that: two lovers in the form of Dane DeHaan and...
Review: Au nom de ma fille (aka Kalinka)
Based on the extraordinary true story of a father's three decades-long quest to bring his daughter's killer to justice, Au nom de ma...
Review: Rules Don't Apply
Rules Don't Apply, marking the return of actor-writer-producer-director Warren Beatty to the screen after a 15-year-long absence, is a...
Review: Sleepless
Even if one wasn't aware that Sleepless is an American remake of a 2011 French film named Sleepless Night (Nuit blanche), it wouldn't...
Review: Road to the Well
A promising debut from writer-director Jon Cvack, Road to the Well is a neo-noir that may be predictable in plotting but intriguing in...
