Review: Octavio is Dead!
In writer-director Sook-Yin Lee's sophomore feature, Octavio is Dead!, the sublime Sarah Gadon portrays Tyler, a wraith of a woman who...
Review: Green Book
It's not anything that audiences haven't seen before, but Green Book is an unabashed crowd pleaser, sometimes old-fashioned and always...
Review: The Oath
Thanksgiving, that wonderful time of year when families nominally gather to give thanks for the blessings in their lives but...
Review: An Actor Prepares
An Actor Prepares is a painfully by-the-numbers and pedestrian comedy drama that is somewhat redeemed by Jeremy Irons' exuberant...
Review: The Mule
Earl Stone, the 90-year-old horticulturalist and Korean war veteran that Clint Eastwood embodies in his latest film, The Mule, is such an...
Review: Mary Poppins Returns
One needn't have worried for Emily Blunt is practically perfect in every way as the title character in Mary Poppins Returns, a thoroughly...
Review: Assassination Nation
Updating Arthur Miller's The Crucible for the #MeToo generation, Assassination Nation takes the extreme to even more extremes. Mixing the...
Review: The Sisters Brothers
The Sisters Brothers, the first English-language film from award-winning French director Jacques Audiard (A Prophet, Rust and Bone) is a...
Review: Jonathan
An intriguing variation on the multiple personality narrative, Bill Oliver's feature film debut, Jonathan, involves brothers Jonathan and...
Review: Bird Box
Certain to draw comparisons to A Quiet Place, Bird Box, much like that film, is a terrific exercise in terror that draws its...
