Review: Anna
Female empowerment and female objectification have always gone hand in hand in Luc Besson's films. This has always been a strangely...
Review: Ma
Ma, as its title may suggest, is not about a maternal figure. She may seem that way since she's played by Octavia Spencer, who is a...
Review: Murder Mystery
It's fairly difficult to summon any enthusiasm for an Adam Sander film when Sandler himself seemingly can't be bothered to do more than...
Review: State Like Sleep
There is a fine line between hypnotic and sleep-inducing, and State of Sleep very often crosses into the former. The tone of detachment...
Review: 10x10
In a 10x10 room with concrete, sound absorbent walls no one can hear you scream. And certainly Kelly Reilly's Cathy does a great deal of...
Review: Professor Marston and the Wonder Women
Though many will find fault with its elastic handling of facts, Professor Marston and the Wonder Women is a nonetheless highly compelling...
Review: Message from the King
His name is King, but it may as well be Carter or Walker for like those protagonists in Get Carter and Point Blank, he is a man on a...
Review: The Fate of the Furious
"Dominic Toretto just went rogue," Dwayne Johnson's Luke Hobbs declares and, with that, The Fate of the Furious revs up its engines,...
Review: Beauty and the Beast
Most remakes, adaptations and updates are superfluous by nature and Disney's $160 million live-action re-staging of its 1991 animated...
Review: The Girl on the Train
Let it be said first and foremost that Emily Blunt is nothing short of superlative as Rachel Watson in the film adaptation of Paula...
