Review: Widows
Leave it to Steve McQueen, the director of such weighty fare as Hunger, Shame and the Oscar-winning 12 Years a Slave, to take a genre...
Review: The Tale
The body remembers, even when the mind intellectualises or romanticises. In The Tale, documentarian Jennifer Fox explores her own history...
Review: The Cloverfield Paradox
If there are any screams to be had in The Cloverfield Paradox, the latest entry in the Cloverfield film universe, they are screams of...
Review: Valerian and the City of a Thousand Planets
The plot of Valerian and the City of a Thousand Planets goes something like this: an unnamed paradise planet populated by the iridescent,...
Review: Guardians of the Galaxy Vol 2
For film franchises, the second go-round tends to be a minefield of expectations: can it be as good or better than the first film? The...
Review: Macbeth
Masculinity maligned often turns malignant. Ambition can be murderous, and sometimes the fear of failure is more motivating than the...
Review: Everest
"The last word always belongs to the mountain." Indeed, the mighty Everest can offer both triumph and tragedy for those who attempt to...
Review: The Man from U.N.C.LE.
It may be a wonder why it took this long for a film adaptation of the popular spy series The Man from U.N.C.L.E. to get off the ground,...
Spotlight on: Elizabeth Debicki
What is it about the Land Down Under that makes it such a consistent supplier of grade-A talent? Australia has gifted Hollywood with a...
