elizabeth debicki | etc-etera

Review: Widows

Leave it to Steve McQueen, the director of such weighty fare as Hunger, Shame and the Oscar-winning 12 Years a Slave, to take a genre...

The body remembers, even when the mind intellectualises or romanticises. In The Tale, documentarian Jennifer Fox explores her own history...

If there are any screams to be had in The Cloverfield Paradox, the latest entry in the Cloverfield film universe, they are screams of...

The plot of Valerian and the City of a Thousand Planets goes something like this: an unnamed paradise planet populated by the iridescent,...

For film franchises, the second go-round tends to be a minefield of expectations: can it be as good or better than the first film? The...

Masculinity maligned often turns malignant. Ambition can be murderous, and sometimes the fear of failure is more motivating than the...

"The last word always belongs to the mountain." Indeed, the mighty Everest can offer both triumph and tragedy for those who attempt to...

It may be a wonder why it took this long for a film adaptation of the popular spy series The Man from U.N.C.L.E. to get off the ground,...

What is it about the Land Down Under that makes it such a consistent supplier of grade-A talent? Australia has gifted Hollywood with a...