Review: No Escape
Working well with its elemental ingredients, No Escape is a briskly paced and serviceable action thriller whose cheap emotional...
Review: Partisan
It's not quite a wasteland, the landscape we see in the opening moments of writer-director Ariel Kleiman's debut feature, Partisan. There...
Review: Nasty Baby
Nasty Baby is the title of writer-director Sebastián Silva's latest film as well as the name of the performance art project by conceptual...
Review: Youth
Youth, Paolo Sorrentino's follow-up to his Oscar-winning The Great Beauty (La Grande Bellezza), ponders the themes of the inevitable...
Review: Spectre
"The dead are alive" are the four words that kickstart the 24th installment in the Bond series, a franchise that has resurrected itself...
Review: Knight of Cups
Fellini's 8 1/2 conveyed with Antonioni's spatial compositions, Terrence Malick's characteristically gorgeous and poetic Knight of Cups...
Review: The Lobster
An unusual fable about love as a misguided remedy to solitude, The Lobster is an outstanding master class in pitch-black absurdity....
Review: Ricki and the Flash
Disjointed and diffuse, slight and strained, clichéd and contrived, Ricki and the Flash is a film of too many frequently competing...
Review: The End of the Tour
Engagingly verbose but psychologically spare, The End of the Tour paints a portrait of David Foster Wallace through the prism of a...
Review: Experimenter
How many of us have absolved ourselves of certain responsibilities because "I was only doing my job" or because "I was told to do it"?...
