Review: Get Out
The most terrifying monsters are the ones we encounter in our everyday lives. In the brilliant race-conscious horror film, Get Out, the...
Review: Fallen
If you are still experiencing withdrawal symptoms from the end of the hugely popular Twilight film series, then Fallen, adapted from the...
Review: Headshot
John Wick: Chapter 2 aside, the Indonesian slaughterfest Headshot may be the most insanely ultraviolent movie one will see this year....
Review: Catfight
A trifurcated allegorical satire with Looney Tunes-style violence, writer-director Onur Tukel's Catfight is exactly as advertised. Two...
Review: The White King
As far as dystopian films featuring young protagonists go, The White King is refreshingly devoid of many of the usual elements that have...
Review: The Assignment
Tell me if you've heard this one before: defrocked plastic surgeon exacts revenge on the hitman sent to kill her beloved brother by...
Review: Wolves
A solid cast led by a reliably outstanding Michael Shannon offsets writer-director Bart Freundlich's formulaic narrative and execution in...
Review: Logan
The best stand-alone Wolverine/Logan film, one of the best entries in the X-Men franchise, and one of the best superhero movies ever...
Review: A Date for Mad Mary
Released from a six-month stint in prison in time for her best friend's upcoming wedding, Mary (Seána Kerslake) is heard compiling all...
Review: I Don't Feel at Home in This World Anymore
Winner of the Grand Jury Prize at this year's Sundance Film Festival and further evidence of Netflix's emergence as an industry power...
