Review: The Bad Batch
If writer-director Ana Lily Amirpour's impressive directorial debut, A Girl Walks Home Alone at Night, was pitched as "the first Iranian...
Review: Rough Night
There are few things in the bachelorette-weekend-from-hell comedy Rough Night that one hasn't seen before in films like Very Bad Things,...
Review: Kill Switch
Marginally better than last year's migraine-inducing, first-person perspective action film Hardcore Henry, the sci-fi Kill Switch...
Review: Song to Song
In his own way, director Terrence Malick has been making action musicals since his notoriously fallow output became alarmingly abundant....
Review: The Last Word
Shirley MacLaine is one of the last great movie stars standing, so it's always a pleasure to be graced by her presence even if the films...
Review: Lady Macbeth
To be a woman in the world is to considered inferior, the second sex, mere property devoid of any rights or free will. Women rebelling...
Review: The Secret Scripture
"My name is Rose McNulty and I did not kill my child." So starts director Jim Sheridan's period drama, The Secret Scripture, adapted from...
Review: Unforgettable
A glossy thriller that almost plays like a parody of the guilty pleasure psychosexual dramas of the Eighties and Nineties, Unforgettable...
Review: Table 19
An intermittently amusing wedding comedy that wastes the talents of its accomplished cast along with the potential of its premise, Table...
Review: Brain on Fire
Why exactly should we care about Susannah Cahalan? Should we care because she’s 21, living in New York City, has her dream job of working...
