Review: Deadpool 2
Arriving two years after its predecessor became the 2nd highest grossing R-rated film in U.S. history, Deadpool 2 returns with even more...
Review: Terminal
"There is a place like no other on Earth. A land full of wonder, mystery and danger. Some say to survive it, you need to be mad as a...
Review: Anon
In a world where our brains are truly like computers and everything we see from our perspective is recorded, it is damn near impossible...
Review: Ismael's Ghosts (aka Les fantômes d'Ismaël)
"I'm in a living nightmare and I can't wake up!" proclaims Ismael Vuillard (Mathieu Amalric) in Arnaud Desplechin's latest work, Ismael's...
Review: Kodachrome
Inspired by A.G. Sulzberger's 2010 New York Times article, "For Kodachrome Fans, Road Ends at Photo Lab in Kansas," the road-trip dramedy...
Review: Submergence
At what point does a filmmaker lose their mojo? When is it that their characteristic style, once their blessing, suddenly becomes a...
Review: In the Fade (Aus dem Nichts)
On paper, In the Fade (Aus dem Nichts), the latest effort from writer-producer-director Fatih Akin, reads like a Lifetime movie of the...
Review: Acrimony
Who exactly are audiences supposed to root for in Acrimony, writer-producer-director Tyler Perry's overwrought variation on Fatal...
Review: Avengers Infinity War
To call Avengers: Infinity War epic would be a severe understatement. Ten years and 18 films in the making, Infinity War is arguably not...
Review: Love, Simon
As directed by Greg Berlanti and written by This Is Us scribes Isaac Aptaker and Elizabeth Berger, Love, Simon is an appealing teen...
