Review: Professor Marston and the Wonder Women
Though many will find fault with its elastic handling of facts, Professor Marston and the Wonder Women is a nonetheless highly compelling...
Review: The Commuter
Let's not kid ourselves: The Commuter, the fourth pairing of Liam Neeson and director Jaume Collet-Serra, is not a great film. Like their...
Review: All the Money in the World
When looking at Ridley Scott's filmography as a whole, his latest work All the Money in the World seems a minor work. A solid drama that...
Review: The Post
"We can't have an administration dictating to us our coverage just because they don't like what we print about them." So sayeth Ben...
Review: The Shape of Water
As with Pan's Labyrinth and The Devil's Backbone before it, Guillermo del Toro's The Shape of Water is a decidedly adult fairy tale that...
Review: Blame
Blame, an intriguing observation of teenage adolescence as filtered through the lens of both Tennessee Williams' The Glass Menagerie and,...
Review: Wonderstruck
Wonderstruck, the new film from Todd Haynes adapted from Brian Selznick's 2011 novel, tells of two parallel pilgrimages and, as such,...
Review: Goodbye Christopher Robin
Though A.A. Milne's collection of stories revolving around the fantastical adventures of Winnie-the-Pooh are often acknowledged to have...
Review: Wonder Wheel
In Woody Allen's latest cinematic memory palace, Wonder Wheel, a lifeguard by summer, aspiring playwright by fall named Mickey Rubin...
Review: Rebel in the Rye
"You act out at authority figures...because you're emotionally repressed at home. You also think you're the cleverest boy that ever...
