Review: A Kind of Murder
"Proof is not the key thing. It's doubt," Mitchell Kimmel (Eddie Marsan) tells Walter Stackhouse (Patrick Wilson) late in A Kind of...
Review: All We Had
All We Had, an adaptation on Annie Weatherwax's 2014, is less remarkable for being actress Katie Holmes' directorial debut than it is for...
Review: Frank and Lola
A moody dissection of male jealousy fronted by a compelling performance by Michael Shannon, Frank and Lola begins in bed as Shannon's...
Review: The Light Between Oceans
Rapture gives way to moral anguish in Derek Cianfrance's third feature, The Light Between Oceans, an achingly beautiful adaptation of...
Review: Allied
The term "old-fashioned" has become a bit anathemic in the not-so-recent decades as far as movies are concerned. Movies, whatever the...
Review: The Hollars
A generic dysfunctional family comedy drama made diverting by its ensemble cast, The Hollars marks actor John Krasinki's second...
Review: Always Shine
Sophia Takal's sophomore effort, Always Shine, is unapologetic about its influences of which there are many. One can note explicit...
Review: Shut In
It would be too easy to say that Naomi Watts deserves much better than this cheap psychological thriller, but the truth of the matter is...
Review: Nocturnal Animals
Combining melodrama with the darkest of pulp noirs, Nocturnal Animals is a chilly and chilling passion play of regret and revenge, duty...
